The second boss fight, which is recycled a few times throughout the campaign, is against a foe that’s resistant to firearms.
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That first boss fight a couple of hours in was a great reflex test on PC (good luck consolers) but ultimately boiled down to biding your time to attack weak spots. The boss fights in Atomic Heart range from interesting to frustrating. That’s more manageable when you’re controlling the pace of a fight, but expect to take damage or even die when trying to scan a boss for the first time. Finding a weakness is achieved by scanning an enemy, and that is way more form over function because it’s tricky to track moving enemies in this stylised view. Gunplay ranges from okay to overpowered once you level-up your preferred shooters and start respecting Atomic Heart’s rules of enemy weaknesses. That influence is clearly there, but so too are others, including Dying Light, The Last of Us, Doom Eternal and-honestly not to rhyme but- Returnal. And it’s not just BioShock that Mundfish has leant into, either. The little moments of organic storytelling that come out of the destruction of a space or the clever-but-creepy way you can communicate with the recently deceased show a lot of thought has gone into making this place feel believable. Whether you’re flying around a floating city, exploring the overworld surface or raiding a bunker, the art design of Atomic Heart is frequently breathtaking and perpetually screenshot-worthy. What makes the dialogue gripes loom larger than the many Soviet-inspired monoliths that fill this unique place is how beautifully realised the game world is. But while some of my issues with the dialogue can likely be put down to English-as-a-second-language writing, the prospect of reading the PPSH-pace dialogue in moments of downtime, let alone during firefights, was too much.Īfter time, though, I learnt to drone out the basic banter and tune back in during more important story moments. Admittedly, I was advised to play the game in Russian with native subtitles. It’s at its worst during firefights when dude-bro and glove are waxing lyrical on some deep sci-fi themes, but the execution comes off as unintentionally bad. Every story beat is explained to you, then over-explained, then explained some more to the point where it almost becomes confusing because you’re constantly overloaded with a jumble of information. It’s a Deadpool-style deep dive into exposition, minus the charm of Ryan Reynolds and the wit of a strong script built on top of clearly defined characters. You’ve likely never played a game quite like this before.īut the problem is the storytelling-the player-experienced execution of those plot events-is terrible. The plot of Atomic Heart may be formulaic but the way it plays out combined with Mundfish’s willingness to steer heavily into the weird benefits its overall uniqueness.
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Well, that and the rollout of a robotic workforce designed to take care of the menial jobs and free up humanity to do, well, whatever it likes.īut as any sci-fi fan might expect, large populations of robot workers are a bad command away from turning on their fleshy overlords, and that’s exactly what kicks off the action of Atomic Heart. The game starts strong with a gorgeously presented prologue of a 1955 Soviet city in an alternative reality where Russia has become a post-World War II global juggernaut care of its creation of a “Polymer” super substance. You play as due-bro protagonist Major P-3 who riffs off his more straight-laced talking super-glove called Charles (no, really).
After spending 14 hours blitzing through a main-path run of the campaign, there’s a lot to love about Atomic Heart but its shortcomings loom large. That very first Atomic Heart trailer dropped in 2017 and, honestly, by the time more of the game was showcased, the more I tempered my expectations. So it should come as no surprise that Atomic Heart has been on my radar for years, given how heavily the initial trailers leant into what looked like a Soviet-themed spiritual successor to BioShock. Such is my longing that I’ve recently replayed the first two Rapture-set games and am prepping for another run at sky-high BioShock Infinite. Oh, how I long for another BioShock game.
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